In this work, Gilad Yerushalmy traces the roots of his masculinity in all its shades in relation to the local context in Israel. Set against the backdrop of "numbers" from musicals and films such as Fiddler on the Roof, the rock opera Mami, Kazablan, and We Are All Jews, Yerushalmy uses his body to conjure his ancestors. Together, they wander the desert, drain the swamps, climb mountain peaks, burn olive trees, read the Torah, are pursued in the darkness, and dream.

In the conversation following the first viewing—moderated by artistic director Idan Schwartz and curator May Zarhy with choreographer Gilad Yerushalmy—we will hear how reflections on masculinity and personal narrative were translated into movement. We will explore the relationship between word-based storytelling and choreographic storytelling, and learn more about the background of the work's soundtrack. During the conversation, prior to the second viewing, the audience is invited to ask questions and respond.

Choreography and Performance: Gilad Yerushalmy

Artistic Mentorship: Maya Brinner and Anat Katz

Musical Arrangement: Shahar Shiri

Consultation and Design: Veronica Shor

Rehearsal Management and Consultation: Rachel Erdos

Photography: Yair Meyuhas

The work premiered at the Ministry of Culture's "Curtain Up" festival in 2025.
The work was supported by the Menashe Dance House Artist-in-Residence program for 2025.